Monarda™

Monarda™ is my take on the loud and splashy brush scripts of the 1950s. It’s energetic, playful, and equally at home in hardcopy headlines as it is in interactive banners. In addition to the basic alphabet, OpenType® fonts of Monarda are also awash in super-sized swash caps, contextual alternate characters and ligatures. Pair Monarda with a mid-century structural sans like Trade Gothic® or a sturdy slab serif like Egyptian Slate™ to create typographic counterpoint that’s confident, compelling and memorable!

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Monarda™, a casual and crisp connecting brush script by Terrance Weinzierl

Named for a riotous bright red flower that attracts butterflies and humming birds, Monarda is a rare combination of flamboyance and effortless beauty. Weinzierl describes it as “casual yet precise: a stiff denim jacket or perfectly white sneakers at a formal event.” Monarda clearly stands out – and always fits in. Well, almost always. Drawn for print, the design’s robust x-height, open counters and wide apertures also make Monarda screen-friendly. Monarda can be perfect for a wide variety of food and lifestyle applications as well as travel, stationery and packaging projects. Advertising campaigns and product branding are also well within its reach.

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Monarda works best when used large – but economically. Two or three words are its sweet spot. Think: product name, print headline or the lettering on the side of a truck. It could easily become your go-to design for projects that call for a script with a bright personality and fearless demeanor.

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Process Images

Proofing process of the default caps

Proofing process of the default caps

Proofing process of the swash caps

Proofing process of the swash caps

Early drawings that later served as the basis for the typeface.

Early drawings that later served as the basis for the typeface.

After drawing pages of letters targeted for the typeface, the best pieces are selected and cut out for digitizing, becoming bonafide glyphs.

After drawing pages of letters targeted for the typeface, the best pieces are selected and cut out for digitizing, becoming bonafide glyphs.

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Early decisions on the connection and sharpness of brush details.

Early decisions on the connection and sharpness of brush details.

 
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